Transient Encounters Project
Presentations | Transient Encounters | Curated by Basak Senova and David Chisholm | Participants: Mauricio Carrasco, Yane Calovski, Basak Senova, and David Chisholm | Press to Exit Project Space, Skopje, December 2019
The project brings presentations, lecture performances, and lecture recitals together to create a ground to discuss intersecting and transient aspects of artistic research in different disciplines.
Hysteria and trauma as constitutive elements in contemporary Monodrama
Lecture/Recital
by Mauricio Carrasco
Artistic Research in the field of music theatre
This lecture/recital examines how text and music articulate to create an alienated character that suffers trauma and hysterical symptoms, similar to those that Freud and Breuer described in their Studies on Hysteria. Like the late nineteenth-century Leçons de Mardi, where Dr. Charcot staged hysteria through his most prominent patient Augustine, the partial performance of Georges Aperghis’ Fidélité, – transcribed from a female harpist into a male guitarist – will open this lecture/recital, analysing how hysteria has been historically associated to women in Monodrama’s tradition.
Gender and genre are analysed as interchangeable terms, being possible to associate inquiry, hybridity and interchangeability to both. Therefore, the constitution of an Actor-Musician will depend on his/her ability to navigate between different genres, like a drag performer that goes to the wardrobe of gender and decides with deliberation which gender it will be today, paraphrasing Judith Butler.